First draft:
Master and Commander: it’s actually the only
Russell Crowe movie I have seen, which is perhaps why I don’t understand the overall
bad vibe that seems to surrounds his reputation. I love his character in the
film, and I love the story and score. The humour appeals and the naval battle
scenes are memorable.
Thomas Cochrane 1807 |
I watched it again three years ago when my sister commented
that she was using the opening scene for a training session she was developing
on decision making and team work. And as that co-incided with my exposure to
Assassins Creed sea shanties, it re-kindled my interest in the Royal Navy and men
in tight uniforms. (cue watching lots of Sharpe and Hornblower on Youtube).
Last year I took my first cruise, although veteran cruisers
informed me it was actually a crossing… from Fort Lauderdale to Rome. It was a
cost-effective way of crossing the Atlantic, and certainly bumped up my stock
of characters (the fake Baron, my crazy antisocial cabin mate… more details may
follow). On a crossing there are many sea days (the first 8 days straight were
all at sea). I took advantage of many of the entertainment options, one of
which was a series of lectures about sea explorers, pirates and battles. One lecture
was devoted to Admiral Thomas Cochrane, 10th Earl of Dundonald who
was the real-life inspiration for the fictional characters of Horatio
Hornblower and Jack Aubrey.
Bust of Bernardo O'Higgins at Richmond |
He is certainly worth another blog post, but for today I will touch on his role in the Chilean war of independence. One of his colleagues in
that war was the memorably named Bernardo O’ Higgins. Imagine my surprise and delight
when not a week after finishing the cruise I discovered quite by chance a statue
to this same Bernardo, just down from the bridge at Richmond, London. Well, it
wasn’t exactly by chance. Those who know me will recognise my inability to walk
past a plaque without reading it, and it was a name not easily forgotten. So there
he was commemorated, having lived nearby at the turn of the 18th century.
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